Published by Neide Published on October 11, 2020

Salut, Lilyians! We bring you high definition screen captures from the first two episodes of Emily in Paris, now streaming on Netflix. While we work on getting screen captures from the remaining episodes, you can take a look at the episode stills from the season (and watch the show if you haven’t yet!) Many thanks to my friend Emily, from kjapa.net, for these!

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Lily is on the cover of this week’s issue of Sunday Times Style, during which she spoke about Emily in Paris, falling in love, learning how to chill, and her best beauty hack. Our gallery has been updated with the cover and outtakes from the magazine, and below you can read the full article and watch a fun video of Lily.

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For much of the weekend before we speak, Lily Collins threatens to melt my laptop as I tear uncontrollably through her latest show, a raunchy, rompy, highly bingeable comedy set in Paris. Her on-screen character, Emily, goes one better and blows the power in an entire Parisian arrondissement by plugging in her US-wired vibrator during a Facetime sex call with her American-based boyfriend. She then moves on to deflowering her friend’s 17-year-old brother, the scion of a champagne house, at his parents’ château.

The Guildford-born, LA-raised Collins has an eminently solid acting CV, starring as Sandra Bullock’s daughter in The Blind Side, Snow White in Mirror, Mirror and Fantine in last year’s BBC adaptation of Les Misérables, but until now the 31-year-old former model’s roles have tended to play more to her doll-like prettiness rather than her comedy chops. In truth, her acting accomplishments as a whole have been somewhat overshadowed by her very famous father, the thrice-married British musician Phil Collins, who split from Lily’s mother, his second wife, the American antiques dealer Jill Tavelman, when she was five. Lily and her mother relocated to Los Angeles and she only saw her father during school holidays.

In Collins’s 2017 collection of personal essays, Unfiltered, No Shame, No Regrets, Just Me, she wrote an open letter to her father. “We all make choices and, although I don’t excuse some of yours, at the end of the day we can’t rewrite the past,” she wrote. “I’m learning how to accept your actions and vocalise how they made me feel. I accept and honour the sadness and anger I felt toward the things you did or didn’t do, did or didn’t give me.”

Published by Neide Published on October 9, 2020

Hello Lilyians! Netflix released yesterday a teaser trailer for Mank, which follows screenwriter Herman J. Mankiewicz’s (Gary Oldman) tumultuous development of Orson Welles’ iconic masterpiece. Lily is set to play Rita Alexander in the upcoming movie that is set to be released in select theaters and on streaming this December 4.

Published by Neide Published on October 8, 2020

Lily made a special appearance on yesterday’s episode of talk show The Drew Barrymore Show, during which Lily and Drew discussed social media, working with Sex and the City greats on Emily in Paris, Lily’s engagement, and more! You can watch the full clip below!

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From stopping traffic to practicing her lines in a mirror, Lily Collins explains exactly how the Opera House scene was captured for the new show Emily in Paris.

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Lily Collins schools Vanity Fair in British slang. From “tinkle on the blower” to “lurgy,” Lily will leave you saying “why aye” after this episode of Slang School.

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Photographed by Emily in Paris co-star Ashley Park, Lily talks with Coveteur about the new Netflix show, working with Patricia Field and fashion. Outtakes have been added to our gallery, and you can read the article below.

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Patricia Field is known for her amazing costumes in fashion-favorite films, from Sex and the City to The Devil Wears Prada to Confessions of a Shopaholic, each of which take a person on a fantasy-inducing sartorial safari through unexpected pattern combinations and ostentatious yet modern silhouettes. So when Lily Collins got the offer to work with not only Field but also Darren Star, creator of Sex and the City and Younger, she was immediately hooked on what she calls “a golden nugget.”

Their new show, Emily in Paris, available on Netflix as of October 2nd, is by no means the beginning of Collins’ fashion journey. The young actress has worked in films like Mirror, Mirror with corseted gowns and The Mortal Instruments with edgy, leather-filled looks. On the other side of the camera, she has the privilege of experimenting with the best that fashion has to offer on the red carpet and more.

As those have been put on hold for the time being, Collins has swapped gowns for sweats. So she couldn’t resist the opportunity for a little socially distanced shoot. Along with her costar Ashley Park, who plays Emily’s best friend Mindy, the two staged an impromptu shoot with the clothes they had on hand at their director’s ranch in Northern California (COVID tests were administered beforehand, of course). “It was really special also, because we were like, ‘Wait, this is so “Emily and Mindy” of us to do,’” says Collins. “Little did we know that a year after we met, from Paris to a ranch, we’d be having some crazy Emily in Paris experience together documented in photos.”

Have you always loved fashion, or has it been something you’ve had to embrace since you’ve started acting?

“I’ve been a fashion lover since I could put clothes on. My mom tells me stories about how I would have such a specific point of view on what I wanted to wear. I would go vintage shopping with her. I loved color and patterns. My style has definitely evolved over the years, but fashion has always been something constant. For me, fashion designers are artists, and sometimes I get so overwhelmed meeting them, more so than other actors. It’s such a fascinating craft, and their mind works in ways that I deeply admire. I feel very fortunate that my job allows me to experiment with fashion in different ways, but it’s definitely something that I always wanted to tap into.”

How does being in the spotlight affect your personal style?
“I think every character that I play informs me of new fashion personalities, if you will. When I did Mortal Instruments, and it was more gothic and dark—there was a lot of black and leather and stuff like that—I started incorporating more of a darker ‘rock and roll’ feel. Then when I did Mirror, Mirror, it was obviously more princess-y and more feminine and regal. And then Emily. Oh my god, working with Patricia Field, it was like patterns and colors and textures and designers and just all of those things all at once, and it was never too much for Emily. I get to express myself in different ways through my characters and through fashion.”

It’s such a cool thing that acting and fashion share that ability to create a character:

“For me, the relationship with the costume designer and creative designer of any TV show, movie, or any project that I do is so important because you’re creating the essence of the character. It’s what you feel like every day when you step into those clothes that helps inform how you’re going to move and breathe and live as that person. Every single outfit that you wear really dictates how you feel that day. Like in real life, if you’re wearing comfortable sweatpants versus a very fitted dress to go out, you carry yourself differently. The way that you dress really affects your mood and it affects the way that you create a character.”

On creating her character Emily through costume:

“Emily is bright and bubbly and unafraid to take risks. That translates directly into her fashion. I didn’t want her to be a character that has some kind of transformation in order to be accepted, to have that scene where she goes in the dressing room looking one way and comes out Parisian. We wanted it to be that she’s very much herself in all ways throughout the season, she just starts to pick up a little bit of Parisian fashion sense here and there. I think she, like myself, grew up loving Carrie Bradshaw, she loves French Vogue, she loves all these magazines that allow her to soak in the culture. And what would she wear when she goes to Paris? She’s going to wear the Eiffel Tower on her shirt. That’s who she is. Then she’ll do something like throw a beret on, but it’s always in that Emily way. It’s never understated, but that’s what you love about her, or at least that’s what I love about her.”

You said you grew up watching Carrie Bradshaw. Was it so exciting for you to work on a Darren Star show and work with Patricia Field?

“Oh my god, I was over the moon. It was already so cool knowing it was a Darren Star project; if you add Patricia Field to it, I was like, ‘This is a golden nugget.’ I so admire her and all her work throughout the years and just her eye. She’s so specific and so unafraid. That obviously so deeply translates to Emily as a character, that idea of embracing different colors and patterns and textures. It’s like, ‘How do you express yourself through fashion in a way that says everything you want to say and you stay true to who you are?’ That’s Patricia. She was so adamant about being so collaborative with me right off the bat. She really wanted this to be a mutual experience. And Marylin Fitoussi, the French designer who came on board with Patricia, was also just so incredible. Her eye mixed with Patricia’s just created such an amazing character that we all could just every day giggle at and go, ‘Oh my god, how fun is this?’”

I know you’ve been very open about your relationship with self-image, and I was wondering if fashion has played a role in all that for you?

“One’s relationship with their body is so personal. I’m really somebody who embraces feeling at peace with myself and that mind-body-soul connection of learning and educating myself on how to be more comfortable in my own skin. My stylist Rob and Mariel have had a really big impact on me in terms of pushing me outside my comfort zone of what I thought I’d feel good in. They allow me to feel unafraid to wear different silhouettes that I maybe didn’t think would suit me before. Understanding one’s body through clothes is a really interesting experience. It’s all in the tailoring, and they’ve taught me so much about that.”

“Sometimes there is something that’s super in style at the moment [that] just doesn’t work for me. And I’m kind of like, ‘OK great, I can appreciate it on her, but it doesn’t work for me,’ instead of wearing it just to wear it and then feeling awful in it. What’s the point of that? Literally what’s the point? I can appreciate it in a magazine. I can appreciate it on a friend or on a model. I think it’s just realizing that not everything’s going to work on your body type and to embrace what works on you. Obviously, when you’re younger, everyone wants to wear the same trends. The older you get, you’re just like, ‘Cool, if it doesn’t work on me, there’s 10 million other fashion things that I can wear that will look good.’”

What have been your favorite red carpet looks so far?

“This year for obvious reasons the Met Ball didn’t happen, but I always love that experience. The Met Ball is always a moment where I get to play and have fun and lean on my hair, makeup, and stylists to create a character. Every year is different. It’s an opportunity to play. In those situations, I don’t want to just look the same. I don’t want to just look like myself. I want to allow them to create a character and do what it is that they do best. That’s what I rely on them for and what I respect them for. Then we can come together and have fun.”

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Lily Collins, you just keep taking my breathe away! Those were my thoughts as i took a look at her recent photo sessions, most specifically her cover for Autumn/Winter’s issue of Rollacoaster! While there aren’t many photos yet, we bring you one outtake along with the cover. You can pre-order the magazine here.

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Miss Lily Collins • Fan source for actress Lily Collins